The Crew 2

During seasons 7 to 11, I worked as a Sound Designer for Ubisoft with a wide range of responsibilities.
I created sound design for vehicles, vanities, and UI, always ensuring that each element contributed to an immersive player experience. I also handled implementation in Wwise and directly in the game engine, making sure assets were fully integrated and responsive in-game.

On the cinematic side, I was responsible for sound design and music editing, shaping both the emotional impact and technical quality of cutscenes. I managed dynamic and linear mixing in 5.1, balancing clarity and depth to deliver a polished final mix.

In addition, I worked on VO localization, including treatment and implementation, making sure dialogue was consistent and natural across multiple languages.

Dungeons and dragons Dark Alliance

On D&D Dark Alliance from Tuques Games, I worked as a Sound Designer with responsibilities spanning creative design and technical integration.
I created SFX, Foley, UI, and system ambiances, and managed their implementation in Wwise and Unreal Engine 4 via Blueprints, ensuring smooth functionality and interactivity in-game.

I also worked extensively on reverb design, tweaking in-world impulse responses across all room types to achieve realistic and immersive spatial audio.

In addition, I handled sound design and editing for all cinematics and cutscenes, shaping the atmosphere and emotional impact of the narrative.